This sets the pitchbend range for each layer from between 0 and 12 semitones. Because this is a per-layer setting it’s possible to set completely different amounts for both Layer A and Layer B. One of our favourite things is to set one layer with a pitch bend range of +12 and the other layer set to +7.
This determines the amount of dynamic control over volume (or amplitude). When set to zero, all velocities play at a constant volume. Turning the knob clockwise introduces progressively dynamic control over volume, meaning the harder you play the louder the notes and the softer you play the quieter the notes will sound.
This determines the amount of dynamic control over filter cutoff. When set to zero, all velocities play at a fixed cutoff amount. Turning the knob clockwise introduces progressively dynamic control over the filter, meaning the harder you play the more the filter opens.
This allows you to set the amount of aftertouch or (channel pressure) in relation to the LFO Depth.
This allows you to set the amount of aftertouch or (channel pressure) in relation to the filter.